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Designer Fatih Arslan has published a tour of the lamps in his home, including works by Artemide, Isamu Noguchi and Louis Poulsen. His account describes the pieces’ design histories and practical use, while noting that similar-looking, lower-cost lamps are available and that vintage shops can offer better prices.
Designer Fatih Arslan published a tour of the lamps in his home on October 5, describing a collection that includes works by Artemide, Louis Poulsen and Isamu Noguchi. The report combines design history with Arslan’s account of how he uses the lamps, and acknowledges that many of the pieces are expensive compared with more affordable lighting options.
Arslan says he began writing about the lamps after people asked about their brands and models when he shared them on social media. The tour covers desk, floor, table and wall lights, including the Artemide Tolomeo Mini, Richard Sapper’s Tizio Micro, several Noguchi Akari models, and Louis Poulsen’s PH 5 and PH 3/2. The photographs in the report were taken in his house.
The pieces have different roles beyond illumination. Arslan calls the Tolomeo simple to move and well suited to a work desk; he designed an adaptor so it can attach to his USM Haller desk. He says the paper Akari lamps give off a gentle glow and describes the large Akari 75A as filling the room. The PH 5’s layered shades keep the bulb out of direct view, while the AJ wall lamp can be tilted.
Arslan also describes the objects as part of a collecting interest, rather than purchases justified only by their lighting function. He writes that the lamps are not cheap and says they may not be worth their prices on those terms, while adding that they are worth it to him. He points readers to lower-cost designs and vintage stores or fairs as alternatives.
When a Lamp Becomes a Collectible
The tour offers a consumer-focused view of the difference between buying a lamp for a practical need and collecting a design object. Arslan’s examples show how factors such as material, construction, history and association with a particular designer can shape a lamp’s appeal, even when a less expensive fixture could provide light.
That distinction matters to readers weighing the cost of designer lighting. Arslan does not present the prices as necessary for good design: he says IKEA and other companies sell well-designed lamps for a fraction of the cost, and notes that vintage stores and fairs may offer the featured models at better prices. His account is a personal perspective, not a price comparison or independent assessment of value.
designer desk lamps Artemide Tolomeo Mini
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Design Histories Behind the Collection
Several lamps in the tour are linked to established design histories. Michele De Lucchi and Giancarlo Fassina designed the Tolomeo in 1987; Arslan says it won the Compasso d’Oro in 1989. Richard Sapper designed the Tizio in 1972, using its arms to conduct electricity and counterweights to hold its position. Arslan notes that the smaller Micro is one version of the design.
Noguchi began the Akari series in 1951 after visiting Gifu, Japan, a city known for paper lanterns. According to Arslan, the lamps use washi paper and are still made by hand at Ozeki, a family-run workshop in Gifu. Poul Henningsen’s PH 5 dates to 1958; his three-shade lighting system dates to 1925. Arne Jacobsen designed the AJ lamp in 1957 for Copenhagen’s SAS Royal Hotel.
The article is grounded in Arslan’s own collection and experience. It does not claim that his selection represents the full range of designer lighting or provide a market survey of current prices, availability or authenticity checks.
““At a certain point, it becomes more like collecting, and collecting things is very different from just having a lamp to illuminate a room.””
— Fatih Arslan
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Prices and Availability Are Unspecified
The report does not give purchase prices, current retail prices or specific vintage-market listings for the lamps. It also does not compare their performance, durability or value with lower-cost alternatives. Arslan’s observation that some can be found for good prices at vintage stores or fairs is general; no particular seller, location or price is identified.
The account describes one owner’s experiences, including a broken PH 3/2 glass shade and a long wait for a replacement. It does not establish how often parts are damaged or how long replacements typically take. Nor does the article provide independent verification of each item’s provenance. Arslan says authentic Akari lamps carry a red sun-and-moon stamp, but readers would need more than the tour to evaluate a specific secondhand lamp.
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A Personal Tour, Not a Buying Guide
The source report is a completed home tour, and it does not announce a follow-up, sale or new lamp design. Arslan’s account leaves readers with a practical next step if they are interested in the featured styles: compare current options and prices, and check vintage sellers or fairs rather than assuming that a designer model must be bought new.
For readers choosing a lamp mainly for everyday use, the article describes features to weigh, including adjustability, shade material, size and how directly the bulb is visible. Those observations are based on Arslan’s experience; the report does not offer formal buying advice or testing. Any decision about a particular model’s price, availability or fit for a room remains with the buyer.
adjustable wall lamps Louis Poulsen
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Key Questions
Who published the lamp tour?
Fatih Arslan published the first-person report on October 5, 2026. He says people had asked about the lamps after he shared them on social media.
Which lamps are featured?
The tour includes the Artemide Tolomeo Mini, a Tizio Micro, several Isamu Noguchi Akari models, Louis Poulsen PH 5 and PH 3/2 lamps, and an Arne Jacobsen AJ wall lamp.
Does Arslan say the lamps are worth their prices?
He says they may not be worth their prices if judged only as lamps, but that they are worth it to him as collectibles. That is his personal assessment, not a general value judgment.
Are there cheaper alternatives?
Arslan says well-designed lamps from IKEA and other companies can cost much less, and that vintage stores or fairs may have designer lamps at good prices. He does not list specific prices or sellers.
What does the report say about Akari lamps?
Arslan describes the Akari models as washi-paper lamps designed by Noguchi, with the series beginning in 1951. He says the lamps are still made by hand at Ozeki in Gifu, Japan.
Source: hn
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